Louis Post-Dispatch, Salt Lake Tribune, Seattle Weekly, Shepherd Express, The Stranger, Tallahassee Democrat, Toronto Star, Tucson Weekly, Tulsa World, Uproxx, The Virginian-Pilot, Washington City Paper, White City CinemaĪdded 12/27: Awards Campaign, Baltimore Beat, Buffalo News, Chicago Daily Herald, CinemaBlend, Collider, Film School Rejects, GameSpot, JoBlo, Metro UK, Newsweek, Observer, San Jose Mercury News, Seattle Times, Sydney Morning Herald, Tampa Bay Times, Thrillist, USA Today, Village Voice (Wolfe), Wired UKĪdded 12/22: Chicago Sun-Times, Den of Geek, The Guardian, Mashable, Metro US, Sioux City Journal, Star Tribune, The Verge, WiredĪdded 12/21: BBC, Chicago Reader, The Commercial Appeal, IGN, Las Vegas Weekly, TimeOut New York, Village VoiceĪdded 12/20: A.V.
#Movies from 2017 movie#
This film marks the first Universal Mummy movie to have the central monster played by a woman.Added 1/14: First Showing (additional critic), Slashfilm (additional critic)Īdded 1/8: (additional critics), Parallax View, The Tracking BoardĪdded 1/7: Film Journey, The Film Stage (additional critic), First Showing (additional critic)Īdded 1/5: The Film Stage (additional critics), In Review, Moving Picture Blog, The Playlist (additional critics), Slashfilm (additional critics), Taste of CinemaĪdded 1/3: CBS News, Den of Geek, Film Pulse, The Film Stage (substituted individual lists for consensus list), Hidden Remote, The Playlist (additional critics),, Reverse Shot, ScreenAnarchy, Slant (substituted individual lists for consensus list), Slashfilm, Wichita EagleĪdded 12/31: artsBHAM, Cape Cod Times, CinemaBlend (additional critics), Collider (additional critics), Criterion, Criterion Cast, The Film Stage, First Showing, Flavorwire, The Globe and Mail, The Hollywood Reporter/Heat Vision, Lincoln Journal Star, Monkeys Fighting Robots, NOW Magazine, Omaha World-Herald, Paste, People, ReelViews, Salt Lake City Weekly, San Antonio Current, Screen Daily, SF Weekly, These Violent Delights, Toledo Blade, Uncut, Under the Radar, Vancouver Observer, Vancouver SunĪdded 12/29: The Arts Desk, Austin American-Statesman, Austin Chronicle, Awards Daily, Boston Globe, Boston Herald, CinemaBlend (additional critics), Cleveland Scene, Collider (additional critics), The Daily Beast, Deadline, Film Journal International, Houston Chronicle, Ioncinema, Las Vegas Review-Journal, New Orleans Times-Picayune, New York Post, Paper, The Playlist, San Diego City Beat, San Francisco Chronicle, San Francisco Examiner, St. Language is infrequent but includes "a-hole" and "son of a bitch," as well as "hell" and "damn." The main character, who's presented as a hard drinker, quickly downs several glasses of liquor in more than one scene, with no effect.
There are several mildly suggestive sexual references, too, including partly naked and/or obscured male and female bodies, kissing, a couple shown in bed together, and sensuality.
#Movies from 2017 full#
Expect fairly strong, very loud fantasy/action violence, with some blood spatters, guns and shooting, stabbings, fighting and punching, crashes and explosions, jump scares, zombies, and a lab full of gross things.
Rather, it's the first in Universal's new "Dark Universe" series, which is planned to be an interconnected franchise much like the DC and Marvel superhero movies. It has very little to do with either the 1932 Boris Karloff version or the 1999 Brendan Fraser take on the story. Parents need to know that The Mummy is a monster movie reboot starting Tom Cruise.
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